纪念梅塞德斯·索萨
2019年1月31日
"I never thought that I would sing for a living," said Mercedes Sosa, the powerful Argentinian vocalist widely known as “the voice of the voiceless ones.” Also known as “La Negra” due to her long, black hair, Sosas powerful voice afforded her opportunities to perform at Lincoln Center and Carnegie Hall in New York City, as well as the Sistine Chapel and the Colosseum in Rome. A driving force behind the “Nueva Canción” movement, her songs married traditional South American folk music with powerful lyrics advocating for human rights.
Born on July 9, 1935 in the northern Argentine province of Tucumán, Mercedes Sosas family lineage came from the indigenous Aymara people. Her heritage deeply influenced her stylistically and by 15, she won a radio talent contest for her traditional folk music. A dramatic tipping point of her career happened on this day in 1965, when singer Jorge Cafrune invited Sosa on stage during his set at Argentinas renowned Cosquín Folk Festival. Her performance received a massive ovation and by the following year, she had signed a recording contract.
Many of Sosas best-known songs were written by others, but her performances of songs like Violeta Parras "Gracias a la Vida" (Thanks to Life) and Horacio Guaranys “Si Se Calla El Cantor” (If the Singer is Silenced) helped catapult her into fame. She released some 70 albums over the course of nearly a six-decade career, exploring diverse genres such as Argentinian tango, Cuban nueva trova, Brazilian bossa nova, rock, and sacred music. In later years, she collaborated with artists such as Luciano Pavarotti, Sting, Joan Baez, and even Shakira.
Fearlessly singing truth to power, she went into exile from her homeland for several years and was finally able to return home in 1982. She continued to perform around the world and later became a UNESCO goodwill ambassador.
Heres to La Negra!
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